
Turn a brochure into a reason to call
Location, developer track record, payment plan and handover date, explained on camera with motion graphics that carry the numbers.
- Presenter-led
- Payment-plan graphics
- Series of 5–9
Real estate films that sell before the viewing.
I write, shoot and edit the vertical films UAE developers and brokers use to launch off-plan towers, fill open houses and build agents into names buyers recognise.
Hover to preview, click to watch with sound. Each film opens in full quality on Drive from the player.
Anas Afandi · Real estate filmmaker
I'm Anas, a filmmaker working with real estate teams across the UAE. My work lives on the phone screen: thirty seconds to show a buyer why this tower, this payment plan, this view.
Most projects start with a sales problem. A launch nobody understands yet, an agent who needs to be trusted on camera, an expo hall that has to feel full online. I script in Arabic and English, direct the talent, shoot, then cut with kinetic captions and motion graphics so the numbers land without sound.
Twelve seconds that explain the job better than this paragraph.
Every format is built for the vertical feed first, then cut down for stories and ads.

Location, developer track record, payment plan and handover date, explained on camera with motion graphics that carry the numbers.

Direction for people who are not actors. Short scripts, natural delivery, and edits that make an agent sound like the expert they are.

Expo days, launch evenings and roadshows covered as recap films and same-week stories, with the team and the crowd on screen.

Villa and apartment tours, open houses and developer brand moments, shot smooth and paced for the scroll.
The animated maps, payment plans, floor plans and numbers I build into every launch film. These run live. Hover or tap Replay.
The project, the buyer, and the one thing the film has to make them believe.
Hook, proof, call to action. Written in Arabic, English or both.
Presenter direction, site and show-unit coverage, audio on lav mics.
Pacing for the scroll, kinetic captions, maps and payment-plan graphics.
9:16 masters with cut-downs for stories and paid ads.
Pick what you need and copy the brief. It gives me enough to come back with a plan and a shoot date.